It made me feel like a character in an Edgar Allan Poe story every time I used it.

There was a gurney waiting. We loaded Bitterbuck’s body onto it, and I made a final check to make sure his hair was out. That one braid was pretty well charred, and I was sorry to see that the cunning little bow on that side of his head was now nothing but a blackened lump.

Percy slapped the dead man’s cheek. The flat smacking sound of his hand made us all jump. Percy looked around at us with a cocky smile on his mouth, eyes glittering. Then he looked back at Bitterbuck again. “Adios, Chief,” he said. “Hope hell’s hot enough for you.”

“Don’t do that,” Brutal said, his voice hollow and declamatory in the dripping tunnel. “He’s paid what he owed. He’s square with the house again. You keep your hands off him.”

“Aw, blow it out,” Percy said, but he stepped back uneasily when Brutal moved toward him, shadow rising behind him like the shadow of that ape in the story about the Rue Morgue. But instead of grabbing at Percy, Brutal grabbed hold of the gurney and began pushing Arlen Bitterbuck slowly toward the far end of the tunnel, where his last ride was waiting, parked on the soft shoulder of the highway. The gurney’s hard rubber wheels moaned on the boards; its shadow rode the bulging brick wall, waxing and waning; Dean and Harry grasped the sheet at the foot and pulled it up over The Chief’s face, which had already begun to take on the waxy, characterless cast of all dead faces, the innocent as well as the guilty.

When I was eighteen, my Uncle Paul—the man I was named for—died of a heart attack. My mother and dad took me to Chicago with them to attend his funeral and visit relatives from my father’s side of the family, many of whom I had never met. We were gone almost a month. In some ways that was a good trip, a necessary and exciting trip, but in another way it was horrible. I was deeply in love, you see, with the young woman who was to become my wife two weeks after my nineteenth birthday. One night when my longing for her was like a fire burning out of control in my heart and my head (oh yes, all right, and in my balls, as well), I wrote her a letter that just seemed to go on and on—I poured out my whole heart in it, never looking back to see what I’d said because I was afraid cowardice would make me stop. I didn’t stop, and when a voice in my head clamored that it would be madness to mail such a letter, that I would be giving her my naked heart to hold in her hand, I ignored it with a child’s breathless disregard of the consequences. I often wondered if Janice kept that letter, but never quite got up enough courage to ask. All I know for sure is that I did not find it when I went through her things after the funeral, and of course that by itself means nothing. I suppose I never asked because I was afraid of discovering that burning epistle meant less to her than it did to me.

It was four pages long, I thought I would never write anything longer in my life, and now look at this. All this, and the end still not in sight. If I’d known the story was going to go on this long, I might never have started. What I didn’t realize was how many doors the act of writing unlocks, as if my Dad’s old fountain pen wasn’t really a pen at all, but some strange variety of skeleton key. The mouse is probably the best example of what I’m talking about—Steamboat Willy, Mr. Jingles, the mouse on the Mile. Until I started to write, I never realized how important he (yes, he) was. The way he seemed to be looking for Delacroix before Delacroix arrived, for instance—I don’t think that ever occurred to me, not to my conscious mind, anyway, until I began to write and remember.

I guess what I’m saying is that I didn’t realize how far back I’d have to go in order to tell you about John Coffey, or how long I’d have to leave him there in his cell, a man so huge his feet didn’t just stick off the end of his bunk but hung down all the way to the floor. I don’t want you to forget him, all right? I want you to see him there, looking up at the ceiling of his cell, weeping his silent tears, or putting his arms over his face. I want you to hear him, his sighs that trembled like sobs, his occasional watery groan.